­“Human” is a metaphor that is essential in order to capture the essence of my work. The term can be defined as simply, “a person,” but being human relays a universal memorandum of ourselves. A reflection of an immeasurably unique identity that declares the celebration of incomparable individuality which defines each of us. Utilizing my compelling language of ceramics, my work captures humanity in its true form. Written into my practice of clay, I invoke the exchange of emotions, experiences, and the significance of human condition, keenly infusing traditional aesthetics with contemporary sensibility. It exists as an embodiment of the vessel of our human body for memories, language and lineage, as an intricate collage transfusing life into inanimate objects boldly highlighting the narrative of my work. Acting as a bridge, they connect past and present, transcending the confines of cultural boundaries and generations, fearlessly embracing spectrums of diverse backgrounds. It invites audiences to embody the complexity of our diverse identities, while also reflecting and reevaluating preconceived notions of others. I want to spark meaningful conversations by emphasizing that our differences are not exclusive barriers but rather opportunities for greater understanding and connections. My works become a living testimony to the flow of life as guardians, documenting the vitality of existence, and symbolically expressing our complex societal nature. To be human is a celebration of being awake of all our diversity, and the thrill of discovering all things beatific in us, the greatest wonder in the world.